Membership accompanies you everywhere. 
Wednesday, March 16, 2011
Tuesday, March 15, 2011
Tobacco Out Of Your System Swab
History
transmission Fazio Saviano and taught us to make lists and to confirm what is interesting and worthwhile, it shows the last book of the same Saviano came just over a month ago for the types of Feltrinelli and already topped the charts. Any ranking can be a fun game and yet highly instructive on the sidelines if they produce the same reasons or answers to why such a list. And so that here at school, helped by brave and intelligent teachers, each student can draw up its list for (list) of the 10 most important dates, events and fundamental unit of Italian history. Needless to say, as in all games that you meet, not necessarily the list should be composed of political events but may well be of interest to all that has happened into united Italy from 1861 to present. Basically it's a game, a learning experience that serves to build the identity card of our country so that we can pursue without tripping over the prospect of a globalized world, especially by young people.
cross a time when conflicts, divisions and divisions are rife and it is important to keep together at least one common memory of a people that makes a nation that thread that holds together a community as distinct from a scene increasingly homogenized. And then here is a list of events sedimentatosi mind of every single individual can become a national survey on the autobiography helping also to a new study of history more passive and notional as often happens, but as antidote to the brain and food for the journey to an education-style democracy. In our country, then, need to indicate the cardinal points of his 10 national event becomes absolute urgency since, as demonstrated by the appointment this year of celebration, we are a country and a people rather confused about our identity, victims of amnesia and memory lapses. A country that is not in its long history together, it has changed several times in a traumatic identity, the only country in the world of nation states, which today deny its origins and where a political force in government throughout the country that does not count for 12-14% was established with the purpose of disunity our nation.
What began as a game so simple and obvious - draw ten events of national history from 1861 to the present day - with good reason can change into something more serious, and instructive would be nice if the drive to this "hobby" depart from school by students themes and questions that form a national consciousness. A list of ten events of ten basic steps of Italian history followed by some seemingly simple questions to understand our constitution, our cultural background. 
transmission Fazio Saviano and taught us to make lists and to confirm what is interesting and worthwhile, it shows the last book of the same Saviano came just over a month ago for the types of Feltrinelli and already topped the charts. Any ranking can be a fun game and yet highly instructive on the sidelines if they produce the same reasons or answers to why such a list. And so that here at school, helped by brave and intelligent teachers, each student can draw up its list for (list) of the 10 most important dates, events and fundamental unit of Italian history. Needless to say, as in all games that you meet, not necessarily the list should be composed of political events but may well be of interest to all that has happened into united Italy from 1861 to present. Basically it's a game, a learning experience that serves to build the identity card of our country so that we can pursue without tripping over the prospect of a globalized world, especially by young people.
cross a time when conflicts, divisions and divisions are rife and it is important to keep together at least one common memory of a people that makes a nation that thread that holds together a community as distinct from a scene increasingly homogenized. And then here is a list of events sedimentatosi mind of every single individual can become a national survey on the autobiography helping also to a new study of history more passive and notional as often happens, but as antidote to the brain and food for the journey to an education-style democracy. In our country, then, need to indicate the cardinal points of his 10 national event becomes absolute urgency since, as demonstrated by the appointment this year of celebration, we are a country and a people rather confused about our identity, victims of amnesia and memory lapses. A country that is not in its long history together, it has changed several times in a traumatic identity, the only country in the world of nation states, which today deny its origins and where a political force in government throughout the country that does not count for 12-14% was established with the purpose of disunity our nation.
What began as a game so simple and obvious - draw ten events of national history from 1861 to the present day - with good reason can change into something more serious, and instructive would be nice if the drive to this "hobby" depart from school by students themes and questions that form a national consciousness. A list of ten events of ten basic steps of Italian history followed by some seemingly simple questions to understand our constitution, our cultural background.
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us an identity from redesigned
Nice idea to reform the school to redefine the identity of the Italians, adapt history, geography, language and religion in the era of migration to the patriotic spirit that reunify these 150 years, fell by the wayside. Opening to the world remain in the world and celebrate in an appropriate way our little "revolution." Some people wonder what good the ceremonies of these days if the government then worked with the division of school with a part-Sicilian-parthenogenetic Bourbon, another Brianza-Austrianism and another skullcap-Tiber? It already serves all the emphasis these days when the then fledgling Gelmini reform focuses on the school that is mainly the unification of Italy and banning the most common places antiunitari resentful? If it is true that the unity of our country started to school that is where we must go back and work to build a counter-regionalism, dialects, cultures pre-modern and local content so that the stupid idea of \u200b\u200bfederalism League disunites us forever. We must fight the stupid racist prejudice of Bossi and similar that they see the students recommended southern and ignorant, the professor must be driven from the north guinea that because "unqualified", "do not know the math," "does not speak the dialect of the region where he teaches." For a single healthy relationship between north and south of this country need to go through the motions that were true at the base of the thrust unit and disputes, which of course we were in the process of national identity. But often historians and teachers as a result, starting from analyzing the Risorgimento Gramsci see it as a small military movement in a wider international context at the end of which the peasants of the south became bandits, suburbs without history and without a country and therefore illegal and mafia, the European Lombardia (even then!) annexed to Piedmont and other reality from artifice with a unified municipal notables with a French accent. In such a context is already ill Italy: North infested with pellagra and stupid because of the diet of maize, south devastated by malaria. If we face the problem Risorgimento so simplistically is clear that the game has very idea of \u200b\u200ba League subdivision of the country where everyone plays their part in his own area but so making sure we do not aspire to be a major European country and even give more space to the power of donkeys as Brunetta who would lead a new expedition Garibaldi: a thousand fantuttoni North against the South lazy So just reformed and unified the school can dirozzare the League and mouth all .... 
Nice idea to reform the school to redefine the identity of the Italians, adapt history, geography, language and religion in the era of migration to the patriotic spirit that reunify these 150 years, fell by the wayside. Opening to the world remain in the world and celebrate in an appropriate way our little "revolution." Some people wonder what good the ceremonies of these days if the government then worked with the division of school with a part-Sicilian-parthenogenetic Bourbon, another Brianza-Austrianism and another skullcap-Tiber? It already serves all the emphasis these days when the then fledgling Gelmini reform focuses on the school that is mainly the unification of Italy and banning the most common places antiunitari resentful? If it is true that the unity of our country started to school that is where we must go back and work to build a counter-regionalism, dialects, cultures pre-modern and local content so that the stupid idea of \u200b\u200bfederalism League disunites us forever. We must fight the stupid racist prejudice of Bossi and similar that they see the students recommended southern and ignorant, the professor must be driven from the north guinea that because "unqualified", "do not know the math," "does not speak the dialect of the region where he teaches." For a single healthy relationship between north and south of this country need to go through the motions that were true at the base of the thrust unit and disputes, which of course we were in the process of national identity. But often historians and teachers as a result, starting from analyzing the Risorgimento Gramsci see it as a small military movement in a wider international context at the end of which the peasants of the south became bandits, suburbs without history and without a country and therefore illegal and mafia, the European Lombardia (even then!) annexed to Piedmont and other reality from artifice with a unified municipal notables with a French accent. In such a context is already ill Italy: North infested with pellagra and stupid because of the diet of maize, south devastated by malaria. If we face the problem Risorgimento so simplistically is clear that the game has very idea of \u200b\u200ba League subdivision of the country where everyone plays their part in his own area but so making sure we do not aspire to be a major European country and even give more space to the power of donkeys as Brunetta who would lead a new expedition Garibaldi: a thousand fantuttoni North against the South lazy So just reformed and unified the school can dirozzare the League and mouth all ....
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Giordano Bruno - 150th Anniversary
"We are children of the Counter-Reformation, has lasted for centuries we have an education that makes us different from the rest of Europe." Among the flames of Campo dei Fiori, Giordano Bruno gave to recant his thesis: "his was not the most heroic ever made. Since then, the people Italian has stopped saying no. "
"We are children of the Counter-Reformation, has lasted for centuries we have an education that makes us different from the rest of Europe." Among the flames of Campo dei Fiori, Giordano Bruno gave to recant his thesis: "his was not the most heroic ever made. Since then, the people Italian has stopped saying no. "
Monday, March 14, 2011
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pride to say Viva Italy
Cazzullo Aldo's book "Long Live Italy" have already discussed in a previous post (http:/ / alboino.blogspot.com/2011/02/viva-litalia.html) where he stressed the importance of feeling in one nation, Italians. Of the same book you can not help but mention, albeit didactic, those things for which we are proud to be Italian. And if, as in the incipit of the book describes Cazzullo Italy as a mother affectionate though full of aches and pains that we must agree on how to live in our country do not live anywhere else because as often heard outside our borders, "Italy is the most beautiful country in the world." That should not be understood only as a mere compliment, but must also involve responsibilities that have long been forgotten. Beginning with the defense of the territory and heritage it contains that previous generations have built and defended our often with their lives.
Garibaldi is known today, beyond the rhetoric, no longer in fashion, the man who conquered a kingdom and the twilight of his experience on the island Caprera to take the gold instead of the Bourbons, or some of Caravaggio's value (as of today MUST) preferred a lot of beans and a box of dried cod. The volunteers of the Great War are now long forgotten, but letters like this should be imprinted in the memory of everyone and especially young people, "Maybe you do not understand how you can not because I was forced to be left to die on the battlefield, but believe me I find it a thousand times sweeter than to die in the face to my homeland, my homeland. Goodbye my beloved mother, farewell my dear sister, farewell my father. If I die, I die with your beloved names on the lips, in front of our wild Karst. Not to mention, of partisans and the resistance that is seen as what the left hand and must belong to the whole Italian population. "Tomorrow I shoot, but we'll build a better country" we can not betray these men who gave their lives to give us the country we live. In the leveling of all that we live, we equalized the Resistance with the boys of Salò and we have forgotten that 20 months had the knife by the handle and used it.
But Italy, especially Italy that makes us proud of belonging is the Italy of the letters, music, art, short, Italy's beauty that we all envy. Try to come with an air French pride than in the casket: the Louvre and walk half a mile on the main floor of the museum which displays hundreds of paintings of moving beauty, all created by Italians. The Wonderful Christ by Lorenzo Lotto defending the adulteress, the Marriage at Cana where Veronese portrays himself and his rivals Titian and Tintoretto, Cimabue and Giotto and Paolo Uccello still with the Battle of San Romano and grooms assault. Lom statue of Jesus weeping Mantegna and the Bellini's brother, tears of blood of Christ by Antonello da Messina with a rope around his neck like an animal, the deposition of Rosso Fiorentino with unreal colors and the immense picture painted by Caravaggio in which the woman drowned in Transforming it into the Tiber Madonna dying. And take a trip to the National Gallery in London and watch the first episode of the Battle of San Romano enhanced by a whole wall of his own and then go to admire Titian's Actaeon turned into stag for having seen Diana and her maidens bare framework from which Cézanne took inspiration for his deposition Wetting and still unfinished by Michelangelo and the Baptism of Christ by Piero della Francesca: perhaps, as some assert, the most beautiful picture ever painted, a picture so extraordinary that the Director of the National Gallery bought it for himself in 1861 but after two days of torment he decided it was too good to stay in a house and should be in museum, until in 2009 the Archbishop of Canterbury said that Baptism was too good and sacred to remain in a museum and should be in a cathedral, its possible. And at the Prado in Madrid moved in front of El Entierro, the canvas in which Joseph of Arimathea, the Marie bury the Christ and the apostles, that Titian painted a beautiful picture with your hands, shape the body of Jesus had already decomposed. A work of drama that Charles V when he left the government of the empire on which the sun never set to retire to a monastery, took him, and he died looking at her. Here
Italian feel, to feel united and belong to a single territory means also and above all this means looking more carefully to the heritage that surrounds us and do not let foreigners take possession of what is the blood of our nation. 
Cazzullo Aldo's book "Long Live Italy" have already discussed in a previous post (http:/ / alboino.blogspot.com/2011/02/viva-litalia.html) where he stressed the importance of feeling in one nation, Italians. Of the same book you can not help but mention, albeit didactic, those things for which we are proud to be Italian. And if, as in the incipit of the book describes Cazzullo Italy as a mother affectionate though full of aches and pains that we must agree on how to live in our country do not live anywhere else because as often heard outside our borders, "Italy is the most beautiful country in the world." That should not be understood only as a mere compliment, but must also involve responsibilities that have long been forgotten. Beginning with the defense of the territory and heritage it contains that previous generations have built and defended our often with their lives.
Garibaldi is known today, beyond the rhetoric, no longer in fashion, the man who conquered a kingdom and the twilight of his experience on the island Caprera to take the gold instead of the Bourbons, or some of Caravaggio's value (as of today MUST) preferred a lot of beans and a box of dried cod. The volunteers of the Great War are now long forgotten, but letters like this should be imprinted in the memory of everyone and especially young people, "Maybe you do not understand how you can not because I was forced to be left to die on the battlefield, but believe me I find it a thousand times sweeter than to die in the face to my homeland, my homeland. Goodbye my beloved mother, farewell my dear sister, farewell my father. If I die, I die with your beloved names on the lips, in front of our wild Karst. Not to mention, of partisans and the resistance that is seen as what the left hand and must belong to the whole Italian population. "Tomorrow I shoot, but we'll build a better country" we can not betray these men who gave their lives to give us the country we live. In the leveling of all that we live, we equalized the Resistance with the boys of Salò and we have forgotten that 20 months had the knife by the handle and used it.
But Italy, especially Italy that makes us proud of belonging is the Italy of the letters, music, art, short, Italy's beauty that we all envy. Try to come with an air French pride than in the casket: the Louvre and walk half a mile on the main floor of the museum which displays hundreds of paintings of moving beauty, all created by Italians. The Wonderful Christ by Lorenzo Lotto defending the adulteress, the Marriage at Cana where Veronese portrays himself and his rivals Titian and Tintoretto, Cimabue and Giotto and Paolo Uccello still with the Battle of San Romano and grooms assault. Lom statue of Jesus weeping Mantegna and the Bellini's brother, tears of blood of Christ by Antonello da Messina with a rope around his neck like an animal, the deposition of Rosso Fiorentino with unreal colors and the immense picture painted by Caravaggio in which the woman drowned in Transforming it into the Tiber Madonna dying. And take a trip to the National Gallery in London and watch the first episode of the Battle of San Romano enhanced by a whole wall of his own and then go to admire Titian's Actaeon turned into stag for having seen Diana and her maidens bare framework from which Cézanne took inspiration for his deposition Wetting and still unfinished by Michelangelo and the Baptism of Christ by Piero della Francesca: perhaps, as some assert, the most beautiful picture ever painted, a picture so extraordinary that the Director of the National Gallery bought it for himself in 1861 but after two days of torment he decided it was too good to stay in a house and should be in museum, until in 2009 the Archbishop of Canterbury said that Baptism was too good and sacred to remain in a museum and should be in a cathedral, its possible. And at the Prado in Madrid moved in front of El Entierro, the canvas in which Joseph of Arimathea, the Marie bury the Christ and the apostles, that Titian painted a beautiful picture with your hands, shape the body of Jesus had already decomposed. A work of drama that Charles V when he left the government of the empire on which the sun never set to retire to a monastery, took him, and he died looking at her. Here
Italian feel, to feel united and belong to a single territory means also and above all this means looking more carefully to the heritage that surrounds us and do not let foreigners take possession of what is the blood of our nation.
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The Renaissance is not a myth
Horrible book the one written by Alberto Mario Banti to hear his case through the dialectical Italian Risorgimento. In "In the name of Italy" has marched against the town regarding the reasons why today we should be to quibble about the validity of the values \u200b\u200bthat bind us together. I am surprised that a publishing house so serious and attentive to every nuance as the Laterza of Bari has endorsed this project finished over 400 pages in at least questionable. Banti's essay starts with an assumption entirely misleading, or that the deeds of the Risorgimento are now so distant in time so that it is absurd to quibble stand today on the validity of them. As if we today are not the facts of history that precedes us. A demonstration of a thesis so superficial historian quotes whole passages of speeches or writings of our patriots, thus illustrating the senselessness of the current debate in recent months. Of course many of these things 150 years ago are not comparable to today much less useful for a better life in society, but it is important for us to know that experience, of that history to understand who we are today and how we still feel nation. Banti is enough to know that over the last century there have been no changes in geopolitical unless accompanied by serious violence and therefore he is sure that in our country there can be no assumption breakaway. In addition, more than the values \u200b\u200bof the Risorgimento, Banti look closely to the fundamental values \u200b\u200bof our Constitution here and in my opinion falls into the most serious and hilarious contradictions. In fact, if we think today, we note that our Constitution is in grave danger, pilloried every day the men who govern us. If we take a look at who these men where to come and what to ask to change our Constitution, then we become account of the unity of our country as we know from 150 years is severely compromised. I think they are just men, intellectuals, philosophers, historians such as Banti to "cover" with its ruminations on the process of disintegration of the foundations of the Unitary State of the Republic and started a long time in our country.
Horrible book the one written by Alberto Mario Banti to hear his case through the dialectical Italian Risorgimento. In "In the name of Italy" has marched against the town regarding the reasons why today we should be to quibble about the validity of the values \u200b\u200bthat bind us together. I am surprised that a publishing house so serious and attentive to every nuance as the Laterza of Bari has endorsed this project finished over 400 pages in at least questionable. Banti's essay starts with an assumption entirely misleading, or that the deeds of the Risorgimento are now so distant in time so that it is absurd to quibble stand today on the validity of them. As if we today are not the facts of history that precedes us. A demonstration of a thesis so superficial historian quotes whole passages of speeches or writings of our patriots, thus illustrating the senselessness of the current debate in recent months. Of course many of these things 150 years ago are not comparable to today much less useful for a better life in society, but it is important for us to know that experience, of that history to understand who we are today and how we still feel nation. Banti is enough to know that over the last century there have been no changes in geopolitical unless accompanied by serious violence and therefore he is sure that in our country there can be no assumption breakaway. In addition, more than the values \u200b\u200bof the Risorgimento, Banti look closely to the fundamental values \u200b\u200bof our Constitution here and in my opinion falls into the most serious and hilarious contradictions. In fact, if we think today, we note that our Constitution is in grave danger, pilloried every day the men who govern us. If we take a look at who these men where to come and what to ask to change our Constitution, then we become account of the unity of our country as we know from 150 years is severely compromised. I think they are just men, intellectuals, philosophers, historians such as Banti to "cover" with its ruminations on the process of disintegration of the foundations of the Unitary State of the Republic and started a long time in our country.
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Antonio Gramsci - 150th Anniversary
"Italy has never truly united." Gramsci said that the unit would result in a set of homogeneous and economies related to each other as in all countries of the world. But the South was used by the industrial triangle labor supply and a source of emigration.
"Italy has never truly united." Gramsci said that the unit would result in a set of homogeneous and economies related to each other as in all countries of the world. But the South was used by the industrial triangle labor supply and a source of emigration.
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In these days of events related to the celebrations for the 150th anniversary of the unification of Italy and in the public controversy that follow for some time, we often hear objections from some quarters around the league, the emphasis rhetoric surrounding the events of the Risorgimento. Once again we are faced with a demystification of the events of the Risorgimento by those unfamiliar with the story or worse, wants to radically change the second their political demands. Besides, it takes little to understand that the facts are not just as men in the green underline. In aid of this argument, there was a beautiful exhibition in Rome at the Quirinal stables that I was lucky enough to visit last trip to the capital in December. It was a show entirely devoted to the painters of the Renaissance by true patriots represent what was even before the fighting at the time, took part directly to them. Moreover, among these patriots-painters, the most representative of Milan named Jerome Induno riddled by French bayonets during an assault on the Casino Barberini, Giovanni Fattori who participated in the Tuscan spirit Risorgimento to the war through actions of leaflets and other Euleterio Pagliano Lombard origin. Painters in the hard time of the battle have been able to represent crudely what they faced by reversing the scale of values \u200b\u200bby making visible those who up to that point were the invisible ones, valuing the humble compared to the military headquarters. A translation into images of the principles of equality and brotherhood practiced by Mazzini. The Northern League should embrace an anti rhetoric we have seen not only as the source of many patriots, especially in capturing the price of nation-building. The exhibition in Rome I had the opportunity and pleasure of looking at paintings in which large bodies of soldiers excelled tired and sad with "physical and mental suffering and everything that happened, unfortunately," as the same factors noted in his war diary.
During the visit in the halls of the Stables often pondered how the art is always in advance of reality. A closer look, and how the exhibition catalog explains, already Francesco Hayez in the aftermath of the riots of 1848-'49 had offered an anticipatory image of Italy with an allegorical painting in which a tousled-haired girl at the head slightly tilted half-length, has an anguished look and holds up a crucifix. In this way Hayez wants us to understand that Italy is no longer the beautiful girl admired but until then a girl living martyrdom of the country at the hands of the Austrians. From Hayez factors in the most representative of Florence Macchiaioli is a short step. Factors with his paintings was one of the most enthusiastic supporter of the Risorgimento and master for Jerome Induno, Euleterio Pagliano Michele Cammarano and that the stables have exhibited paintings of great expressiveness to the facts that we tell. Induno participated directly in the defense of the Roman Republic as a volunteer partisan and Piedmontese in 1855 was hired by the army in the War of Vrimea. From his vast experience has led "campaign Tchernaya" a painting completed in 1857 on the basis of the immense material accumulated during the experience Garibaldi. Will the same Induno one of the most accredited reporters is for images that I captured for his writings, to tell the battles of the Second War of Independence. Another canvas Induno deserves to be highlighted for the beauty and pathos that is able to convey: "Departure from Fourth" is almost a chronicle of the event Garibaldi, a portrait of rare and sublime effect (the beauty of war!). For the Neapolitan Michele Cammarrata instead the honor of having his "The Charge of the sharpshooters at Porta Pia," as the main poster of the exhibition in question. This large painting has been said that rightly or wrongly may be regarded as an icon or if you want the seal to the Risorgimento "that in the heat and dynamic proto future of these young people launched in the middle of the race to conquer Rome express the feeling that a dream finally came true."
And this dream there is no league that can take away.
Francesco Hayez "Meditation" 
Jerome Induno "Country Tchernaya" 
Jerome Induno "Departure from Fourth" 
Michele Camarato "The Charge of the sharpshooters at Porta Pia" 
Sunday, March 13, 2011
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Painting History Ultracafonal - Niccolo Ghedini
The photo you see below (as compared with the monster) does not apply to an alien that fell by chance on earth, these are indeed an alien but an entirely different species. Niccolo Ghedini, which already has wiped out his account of "daddy" is an alien who has laid down the general lines of Angelina (Jolie pity it is not) for the reform of justice and phone tapping. What was able to give birth this fertile mind came from the other side is plain. The extraterrestrial by the king wants the bunga bunga the "short trial" to delete completely their disputes with the judiciary, split the CSM, to separate the careers of prosecutors from those of judges, restore parliamentary immunity to block the publication of interceptions. If this were not enough with the arrogance that characterizes it and that is proper to be higher as extraterrestrials, claims that the process of "Rubygate" is assigned to the Court for resolution of the Houses of Ministers with the result that the same rooms where the " bungabungista "has a majority voted by the people, serve as its leader. Practically the extraterrestrial flatterers called for the head and the whole gang that supports a total pass, viaticum for the transformation of absolute power by one cowardly.
Saturday, March 12, 2011
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My life Italian??
These are times of crisis we all know and never tires Minister Tremonti to remind pushed foot. We know the same minister Tremonti with one of his jokes for his miserable existence has reminded us that the culture does not eat, and it is true, but to recover € 648 000 in the state budget can certainly make other sacrifices, which cut through culture. For example giving up a dozen blue car 4200 Audi type of displacement that are so fashionable for travel expenses of ministers and Olgettina, or tick, or even that much expenditure on luxuries of the House and Senate where he got to spend € 4400 to buy 50 towels of flax for the presidential guest bathroom of the apartment or even avoid the use of aircraft as a taxi for the Presidency of the Council papers and Velona. But € 648 000 were taken from the financing of the Dante Alighieri Society, which has the task of promoting the Italian language and culture worldwide. In previous years the funding of this firm had been reduced by € 1 million and 700 thousand to 1 million 248 thousand euro, today the institution founded by Joshua Carducci in 1889, will get away with € 600 000, 53.5% fewer than in 2009. Disheartening if you compare the funding that other European institutions to grant equal importance to that task and Italian. A charge that arises from the TV show "Come away with me" Saviano Fazio and reminded us that as the Dante Alighieri Society promotes Italian language courses all over the world from Argentina to the Far East of Russia and how these courses are attended by over 200 000 people. Of course you can not maintain a network so huge with just state funding, so much so that the Società Dante Alighieri actually operating for the Ministries of Foreign Affairs and Cultural Heritage lives mainly on voluntary and courses which are all paid.
And then we wonder why these cuts?
Perhaps the answer lies in the political climate today that we breathe in Italy, the climate is not very favorable to revive the national values: Who does not remember the Lega campaign last summer to force the teachers to learn the southern dialects of the north? Or the frequent vilification of the flag? Or the sun in the Alps printed on the mats in schools? Even in recent months is the challenge (and hopefully is just a provocation) of some peripheral administration of the alloy take advantage of the controversy on the case Baptists have not (done literally disappear from the library) the books of those authors did not welcome the league itself. A strong air of censorship pervades our country and in the general silence is happening something unheard of: the authors are politically inconvenient ignorance Lumbard made to disappear. In fact, cases of censorship League, creeping or otherwise, are reported by some librarians Veneto. To be discouraged is above all the books by Roberto Saviano. In the days following the airing of "Come away with me" and the controversy with Maroni, the director of a library in the province of Treviso has recommended that the mayor did not like the League should be held books of the author of "Gomorrah": present in catalog, but disappeared from the shelves. Sieves with explain, then, this horde of herdsmen of fourth order that the books are preserved for their intrinsic value regardless of the political views of the authors or assessors.
So back forcefully to the fore the cutting of funds to the Dante Alighieri Society, a cut that seems to be wanted by those who now point the Italian political and this is certainly not the Baluba but Berlusconi Bossi.
And then we wonder why these cuts?
Perhaps the answer lies in the political climate today that we breathe in Italy, the climate is not very favorable to revive the national values: Who does not remember the Lega campaign last summer to force the teachers to learn the southern dialects of the north? Or the frequent vilification of the flag? Or the sun in the Alps printed on the mats in schools? Even in recent months is the challenge (and hopefully is just a provocation) of some peripheral administration of the alloy take advantage of the controversy on the case Baptists have not (done literally disappear from the library) the books of those authors did not welcome the league itself. A strong air of censorship pervades our country and in the general silence is happening something unheard of: the authors are politically inconvenient ignorance Lumbard made to disappear. In fact, cases of censorship League, creeping or otherwise, are reported by some librarians Veneto. To be discouraged is above all the books by Roberto Saviano. In the days following the airing of "Come away with me" and the controversy with Maroni, the director of a library in the province of Treviso has recommended that the mayor did not like the League should be held books of the author of "Gomorrah": present in catalog, but disappeared from the shelves. Sieves with explain, then, this horde of herdsmen of fourth order that the books are preserved for their intrinsic value regardless of the political views of the authors or assessors.
So back forcefully to the fore the cutting of funds to the Dante Alighieri Society, a cut that seems to be wanted by those who now point the Italian political and this is certainly not the Baluba but Berlusconi Bossi.
Friday, March 11, 2011
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"I remembered that I think no one ever fully reflected when it is romantically linked to someone." 
"I remembered that I think no one ever fully reflected when it is romantically linked to someone."
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The Humiliation - Philip Roth
"For some 'Philip Roth is moving along the last frontier, to the extreme limit of any human adventure and questions the right behavior to keep the measure to respect, to understand the true meaning, the conclusion to be drawn. For some years Philip Roth has placed his typewriter at the confluence of the river of life and death of the great lakes. Is no longer just a writer, is the biblical patriarch himself, the eighth of the Seven Sages of ancient Greece, the prophet who carves line by line to make his prophecy indelible, invulnerable to the passage of time. "
Antonio D'Orrico
The thirtieth novel, although in this case it is better to define novel, Philip Roth's "humble" is once again as the last of his previous novels, full of pessimism and impending sense of purpose; a tale of ruthless brutality to the end of a man, his arrival at the terminus. A story in three movements as a play in which stage actor Simon Axler sixty-five, "the prince of the world scene with the use of Shakespeare and Chekhov, peerless interpreter of the repertoire most noble," falls into a bottomless depression. Failure, misery, frustration are ills that afflict Axler, meanwhile also left his wife, that to escape the attraction of his fatal shotgun Remington 870 stored in the cellar, decides to shelter a psychiatric clinic: "one of those places where you spend your time and the time does not pass, still standing at that moment, the crack-up, crack you through silent. " Axler we remained for about one month in this hospital in luxury and have a way to get acquainted with a woman who has suffered the worst trauma that can happen to a mother. The two make each other company until you familiarize yourself on the most intimate things Axler and meanwhile gets a glimpse of the art of listening that was his secret. Once home, the old actor is joined by Pegeen Mike Stapleford, daughter of old friends who first saw Axler has just been born, and a lesbian on the run from a relationship of convenience. Beautiful, young, fascinating experiences with sexually shocking, Pegeen wake up in the passion of love extinct Axler delighted to the point that remains to be her partner in raids of extreme eroticism. In short, an old showman Axler stages in the oldest part of his private relationship between the sexes: that of the old man who capers around behind a young lady full of himself and unscrupulous. Pegeen takes the game to the extreme, dominating the old actor who is left deliberately dominate since it could not be otherwise given his physical condition and will proceed bad acting in the epilogue to mocking and cruel but glad to have attempted the transformation of a tomboy in a refined woman. A final twist, terrible, deadly close this book which critics praised the United States in a unanimous, considering the height of the best novels of Roth.
Roth gives an account of the vertical drop of his character with extraordinary lucidity, watching from a distance and without falling into sentimentality. "Write a story that has the strength of an allegorical morality play contemporary and delivery to the reader a character among the largest ever. Simon Axler is a memorable illustration of the fragility and ambivalence of talent, man he plays everything on the table of representation, and loses his gift when he meets his nemesis in the guise of a mediocre actress and woman disguised as a man. " There is a concept in the text that is repeated several times and then the title of the book: the humiliation. And 'the humiliation that the main character who lives for the whole story of a mature man, in work as in love life and every time he feels humiliated Axler we understand that is a further step towards the end. In him there is fatalism and resignation of those who put themselves in a position neutral to its own existence, watching and spend accepting it as if it were modified.
"A novel from a Roth Nordic, severe, without concessions of any kind, or self indulgence indulgences, arrived at Ground Zero of the narrative. " 
"For some 'Philip Roth is moving along the last frontier, to the extreme limit of any human adventure and questions the right behavior to keep the measure to respect, to understand the true meaning, the conclusion to be drawn. For some years Philip Roth has placed his typewriter at the confluence of the river of life and death of the great lakes. Is no longer just a writer, is the biblical patriarch himself, the eighth of the Seven Sages of ancient Greece, the prophet who carves line by line to make his prophecy indelible, invulnerable to the passage of time. "
Antonio D'Orrico
The thirtieth novel, although in this case it is better to define novel, Philip Roth's "humble" is once again as the last of his previous novels, full of pessimism and impending sense of purpose; a tale of ruthless brutality to the end of a man, his arrival at the terminus. A story in three movements as a play in which stage actor Simon Axler sixty-five, "the prince of the world scene with the use of Shakespeare and Chekhov, peerless interpreter of the repertoire most noble," falls into a bottomless depression. Failure, misery, frustration are ills that afflict Axler, meanwhile also left his wife, that to escape the attraction of his fatal shotgun Remington 870 stored in the cellar, decides to shelter a psychiatric clinic: "one of those places where you spend your time and the time does not pass, still standing at that moment, the crack-up, crack you through silent. " Axler we remained for about one month in this hospital in luxury and have a way to get acquainted with a woman who has suffered the worst trauma that can happen to a mother. The two make each other company until you familiarize yourself on the most intimate things Axler and meanwhile gets a glimpse of the art of listening that was his secret. Once home, the old actor is joined by Pegeen Mike Stapleford, daughter of old friends who first saw Axler has just been born, and a lesbian on the run from a relationship of convenience. Beautiful, young, fascinating experiences with sexually shocking, Pegeen wake up in the passion of love extinct Axler delighted to the point that remains to be her partner in raids of extreme eroticism. In short, an old showman Axler stages in the oldest part of his private relationship between the sexes: that of the old man who capers around behind a young lady full of himself and unscrupulous. Pegeen takes the game to the extreme, dominating the old actor who is left deliberately dominate since it could not be otherwise given his physical condition and will proceed bad acting in the epilogue to mocking and cruel but glad to have attempted the transformation of a tomboy in a refined woman. A final twist, terrible, deadly close this book which critics praised the United States in a unanimous, considering the height of the best novels of Roth.
Roth gives an account of the vertical drop of his character with extraordinary lucidity, watching from a distance and without falling into sentimentality. "Write a story that has the strength of an allegorical morality play contemporary and delivery to the reader a character among the largest ever. Simon Axler is a memorable illustration of the fragility and ambivalence of talent, man he plays everything on the table of representation, and loses his gift when he meets his nemesis in the guise of a mediocre actress and woman disguised as a man. " There is a concept in the text that is repeated several times and then the title of the book: the humiliation. And 'the humiliation that the main character who lives for the whole story of a mature man, in work as in love life and every time he feels humiliated Axler we understand that is a further step towards the end. In him there is fatalism and resignation of those who put themselves in a position neutral to its own existence, watching and spend accepting it as if it were modified.
"A novel from a Roth Nordic, severe, without concessions of any kind, or self indulgence indulgences, arrived at Ground Zero of the narrative. "
Wednesday, March 9, 2011
Diaper Cream Vs Vaseline
Ciampi: patriot without illusions
In this country where this depresses and degrades and the civil society has become warped due to a populism that is seriously undermining the very institutions, there are very few public figures worthy of a ' considerable moral authority. One of these is the emeritus president Carlo Azeglio Ciampi, who for the celebrations of 150 years of the unification of Italy, has had with the Deputy Director of Il Sole 24 Ore, Alberto Orioli, a long conversation whose views are published in "Not the country of my dreams" (The Assayer). A series of comparisons between today's Italy, where no one has the courage to fly high with civil passion and confidence in the ideals of the Risorgimento and Italy, the Resistance and the Constitution: a comparison from which came a clear opinion, full of bitterness . The confession of crosses Ciampi pageants (important and substantial than the dreams of visionaries and more modern "European spirit" Cavour and Mazzini with an analysis of country between the elite and birthplace of the people) and personal memories with some of the portraits the large country. The chairman emeritus sees his reflection in the interweaving ancient vices of our political class which is the source of any exasperation. A constant of Italian politics that today is all the more because of the spread of degenerative scandals that do not bother anybody, conflicts of interest that are never resolved and a political struggle incarognita as it is based on intrigue and low blows. But, in my opinion, the best part of the book is that time of restlessness Ciampi on the eve of celebrations marking the 150th anniversary of "a nation that would seek and the reasons for projecting his stay together in Europe" and that instead lost behind the Bossi's secessionist foo. In this case the memory is clear and sharp as lived by Ciampi in first person and tells us what we need to beware and fear the raids in the Lega constitutional fabric. And so the story of when Bossi, convinced that "Italy at the pound" would not be able to join the club of the single currency, bet exclusion "to unleash the ultimate plunge separatist" and create the Po Valley and he did know shamelessly to the Minister of Economy. E 'to be appreciated however that the analysis of Ciampi never expires invective (I had been there in its place were a string of oaths, rebukes and anything else to Lumbard leaguers and all!) And even at the end of conversation Orioli can be seen with even a glimmer of hope given by the hope that young people can change the course of things.
In this country where this depresses and degrades and the civil society has become warped due to a populism that is seriously undermining the very institutions, there are very few public figures worthy of a ' considerable moral authority. One of these is the emeritus president Carlo Azeglio Ciampi, who for the celebrations of 150 years of the unification of Italy, has had with the Deputy Director of Il Sole 24 Ore, Alberto Orioli, a long conversation whose views are published in "Not the country of my dreams" (The Assayer). A series of comparisons between today's Italy, where no one has the courage to fly high with civil passion and confidence in the ideals of the Risorgimento and Italy, the Resistance and the Constitution: a comparison from which came a clear opinion, full of bitterness . The confession of crosses Ciampi pageants (important and substantial than the dreams of visionaries and more modern "European spirit" Cavour and Mazzini with an analysis of country between the elite and birthplace of the people) and personal memories with some of the portraits the large country. The chairman emeritus sees his reflection in the interweaving ancient vices of our political class which is the source of any exasperation. A constant of Italian politics that today is all the more because of the spread of degenerative scandals that do not bother anybody, conflicts of interest that are never resolved and a political struggle incarognita as it is based on intrigue and low blows. But, in my opinion, the best part of the book is that time of restlessness Ciampi on the eve of celebrations marking the 150th anniversary of "a nation that would seek and the reasons for projecting his stay together in Europe" and that instead lost behind the Bossi's secessionist foo. In this case the memory is clear and sharp as lived by Ciampi in first person and tells us what we need to beware and fear the raids in the Lega constitutional fabric. And so the story of when Bossi, convinced that "Italy at the pound" would not be able to join the club of the single currency, bet exclusion "to unleash the ultimate plunge separatist" and create the Po Valley and he did know shamelessly to the Minister of Economy. E 'to be appreciated however that the analysis of Ciampi never expires invective (I had been there in its place were a string of oaths, rebukes and anything else to Lumbard leaguers and all!) And even at the end of conversation Orioli can be seen with even a glimmer of hope given by the hope that young people can change the course of things.
Best Prosumer Camcorder And 2010
Glasses - Emma Dante Carnevale
Without a doubt the Italian theater today is represented abroad by Emma Dante and add a reason, because the author is now the only Sicilian knows how to stage the malaise of contemporary everyday life. His new show that had its debut in that of Naples and is now around Europe (Milan, Liege, Rome, Moscow, Venice, Ruen, Genova - no, definitely not Santarcangelo theater-), is a triptych of poems for the marginalized (the favorite heroes from Dante) who goes by the name of "Glasses". Three separate episodes inextricably linked by the themes of marginality: poverty, old age and illness. A triptych on the lyricism of the forgotten and alienated, the myopia of the children of a lesser God, on the margins in general that combine theater, dance, music, song, sound dialect (the Sicilian and Neapolitan) who can give us poignant pictures of social apartheid.
It starts with "Acquasanta" appears in the scene where a man lashed to the stage, a clear sign that you saved from the storm, and begins to remember his whole life hub, soon after arriving Nicola's character of "Zisa Castle" that has open eyes can not see. E 'in a catatonic state and his care for two beautiful women who pray, you feed him and attend to all his needs. Nicola was delighted as a child when he was taken to his aunt and his house in the neighborhood of the Zisa, where the fabulous castle looking out the window in which is enclosed and carefree childhood. Since that day, Nicholas is a "animula" lost. The third episode sees two dancers on stage or better, start by observing a venerable lady alone, hunched, in memory of a life full of rush. This woman recovers her rummaging in the past two trunks from which sprouts a clothing other age more careless air but also the presence of her deceased husband, a partner that will dance senile hugging her all the soundtrack of the twentieth century that traces their lives. They range from Jovanotti to "Parlami d'amore Mariu" sung by Vittorio De Sica.
important to know that all the characters in this theatrical piece wear glasses (hence the title) since the author has imagined them "means Cecati, sad and alienated, they are old, ugly, poor and sick. Have experienced dramatic stories and have cultivated a defense, a screen. The lens protects them from life. We talk about margins, but in fact the theme is love "and all speak in dialect strictly mostly Sicilian, like around the theater's playwright in Palermo that has made the European language of Sicily. Anyway, once again we must admire the grandeur of Dante's work that offers poignant, heartbreaking, yet enchanted. If you happen to have happened in European cities where the bill is this show not let him escape.
It starts with "Acquasanta" appears in the scene where a man lashed to the stage, a clear sign that you saved from the storm, and begins to remember his whole life hub, soon after arriving Nicola's character of "Zisa Castle" that has open eyes can not see. E 'in a catatonic state and his care for two beautiful women who pray, you feed him and attend to all his needs. Nicola was delighted as a child when he was taken to his aunt and his house in the neighborhood of the Zisa, where the fabulous castle looking out the window in which is enclosed and carefree childhood. Since that day, Nicholas is a "animula" lost. The third episode sees two dancers on stage or better, start by observing a venerable lady alone, hunched, in memory of a life full of rush. This woman recovers her rummaging in the past two trunks from which sprouts a clothing other age more careless air but also the presence of her deceased husband, a partner that will dance senile hugging her all the soundtrack of the twentieth century that traces their lives. They range from Jovanotti to "Parlami d'amore Mariu" sung by Vittorio De Sica.
important to know that all the characters in this theatrical piece wear glasses (hence the title) since the author has imagined them "means Cecati, sad and alienated, they are old, ugly, poor and sick. Have experienced dramatic stories and have cultivated a defense, a screen. The lens protects them from life. We talk about margins, but in fact the theme is love "and all speak in dialect strictly mostly Sicilian, like around the theater's playwright in Palermo that has made the European language of Sicily. Anyway, once again we must admire the grandeur of Dante's work that offers poignant, heartbreaking, yet enchanted. If you happen to have happened in European cities where the bill is this show not let him escape.
Tuesday, March 8, 2011
A White Spot In My Inner Lip
"Carnival should be abolished." Why? Simple, we all have a mask. The always wear every day, 365 days a year. There are those who feast on the wonders of disguises and jokes, wondering what sense it makes. Why just look around. Stop for a second and examine their colleagues, people on the bus going to work, expectant mothers of children before school. Masks. Costumes. Monsters. Everywhere. Always. The Carnival has a dark side that lies within us. A perennial states. In the ancient bacchanalia, once a year could be 'somebody else'. Come out of themselves and others interpret the king roles. Today, this carnival is staged every day. It is no different than between character and actor.
Did Men Wear Make Up In The 50's
The lightweight women
"They do things, women, at times, that need to stay dry.
You could spend a lifetime trying, but you would not be able to have the lightness that have them, sometimes. I read in
. Inside ". 
"They do things, women, at times, that need to stay dry.
You could spend a lifetime trying, but you would not be able to have the lightness that have them, sometimes. I read in
. Inside ".
Monday, March 7, 2011
Super Mario Wii Hint Movies
All women of the world
" All the women in the world I have enchanted
playing one night to a woman, a
,
the transparent skin,
hands without a jewel
thin legs,
swayed his head to the sound of my music,
without a smile,
without bending his eyes, never
,
a whole night, when he rose
was not that she walked out of my life,
were all women in the world. "
Ohio Pick 3 Most Popular Number
Alberto Granado
"First we wanted to know the world, we wanted to change it after"
"First we wanted to know the world, we wanted to change it after"
were two in 1951 when they decided to explore the South American continent aboard a Norton 1939, which called it "powerful". One was killed in Bolivia in 1967 by the infamous CIA helped by ignorance of the local peasant population, was Ernesto "Che" Guevara, Alberto Granado another died on March 5, 2011 in the morning as he slept in his home in Havana.
It 's a day of mourning for this blog because the author was born and raised with the myth of the "Che," has been great, loved, hated, rejoiced, wept for that great nation that is Cuba and for the people' U.S. has liberated by the oppressor. Today, another great myth has left us and so are less and less evidence of the revolution that changed the world of youth in the sixties.
Alberto Granado lived in Havana since 1960, when the same who wanted him on the island for its medical expertise. A graduate in pharmacology and in natural sciences, Granado had founded the Medical School of Santiago and dedication was then given to the Cuban medical cause. For those wishing to learn about the life of this great revolutionary, his autobiography can still be found in our libraries: the title "A sedentary gypsy."
Sunday, March 6, 2011
How Long Does Dap 100% Silicone Take To Dry
Ultracafonal - Costanza Caracciolo & Federica Nargi
The two beautiful young ladies you admire below are Costanza Caracciolo e Federica Nargi, carbon copies of the boorish television invented by the slobbering super Franco Ricci. So far nothing special since the two ladies in question their job - showing ass tits and pussy - know how to do the best possible way. What is disturbing: while the mode of expression that the two people and then the concepts they express. To summarize: in excellent television carried the fascinating Daria Bignardi "The Barbarian Invasions" in an interview with journalist expert on customs and society of the Republic, Natalia Aspesi, declaring that certain "working membership" of some girls (since what is going on) that populate the Mediaset channels and made reference to the papers. In response, the tissues (or better slobbering Ricci) mounts the same interview where he playfully, but not so much about the Aspesi stated that in a future life would you like to do the "puttanona" or escort today is commonly defined as the people of Olgettina. Embee where the answer to the charge of Aspesi? In short, the two starlets (sorry the twins Kessler, Raffaella Carra and all those who were able to embody the best the craft soubrette) were able to issue with the microphone in his hand trembling (also use this sign) a "think before you judge yourself." Congratulations!
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